CHARM ABOUT YOU

More making adventures with #justjudecollaborates! This past week we have been making Judith's pattern, the Dotti Denim Pouch. Of course from the name you can tell that the original design was made using denim, I do have some regular denim but I decided to use a fun mix of fabrics and some printed lightweight Japanese denim.

This pouch is for me so there were no worries about whether someone else would like the fabric and this is the result of my stash dive - the brown papercuts print and white text one I hadn't yet used so it was fun cutting into them. The pieces in the pattern are a good size so you could totally use bigger scale prints for this pouch.

I got carried away and didn't take many progress pictures, just enjoyed the process of making! The pattern is so well written, Judith gives plenty of tips throughout, which I really appreciate.

Grab a cuppa and hide your bank cards! This post is full of goodies amassed over the past few months, the majority of it is for specific projects and some were bought from necessity. There's some nice treats and 'just for fun' here too. I like to keep a record to refer back to (I can't tell you how often I have done that over the years) and also to remind myself what I bought things for. If you're not interested in my shopping habits, that's totally cool and you can check back next time for finished projects.

Most of this lot is for an ambitious project so you may not see the results for some time but bits of these fabrics have already been cut up so no doubt you will see those sooner.

First up, a lovely bundle from one of my favourite shops Sew Hot. I splurged here but all with a purpose!

I'm building up a collection of black and white prints, I also needed some greys for a specific quilt I've designed and I like neutrals with a touch of metallic in them. Originally this seemed like such an 80's thing, reminiscent of Christmas fabrics with scratchy metallic/glitter but modern metallic prints generally feel lovely and the sparkle adds a bit more dimension.

My sewjo seems to take a wander every now and again. Like anything, occasionally the motivation eludes you. Sometimes you have to ride it out and wait for inspiration to spur you into action. Oftentimes I will start with a smaller make, a pouch or cushion to incite my creativity and make a finished project for that sense of achievement. 

I was thrilled to be asked to join Judith Hollies for her #justjudecollaborates over on instagram. Along with Judith, myself, Svetlana Sotak, Stuart Hillard and Kerry Foster will be making each other patterns to create finished projects throughout July. You are welcome to follow along each week and make with us!  You can find out details about which patterns we are making on Judith's post here. Follow along on instagram for the details and reveals each week.

Our first project was the Lola pouch by Svetlana Sotak. Her shop SotakCo on Etsy is full of gorgeous bag and pouch patterns. I have followed her blog for a long time and have made a couple of her patterns, the Lola pouch is one of my favourites - you can see other versions of the pouch that I have made here.

I'm popping in to share a finish, which was actually done last month but what with all the nothingness going on I got sidetracked. The quilt top finally got finished in April and I was excited to quilt it. Honestly it's been a while since I made a quilt, there has been some hand sewing / cross stitch / blackwork in my life and I have been working on piecing another quilt top but my other projects seem to have all turned into cushions!

The quilt pattern is the Land of Magic Quilt by Kid Giddy, you can purchase the full quilt pattern or buy the blocks individually from the Kid Giddy shop. There are some very small pieces in some of the blocks but honestly with  foundation paper piecing that isn't really an issue, one you've got the technique down then you can tackle any pattern. The star and the crown are obviously good ones to start with and build up from there if you're new to the technique.

For the quilting I kept it simple, I love walking foot quilting and fancied some easy mindless lines. Rather than my usual straight lines or cross hatch quilting, I thought about the block positions and what would work with each area. The quilt is roughly split into thirds, with the top and bottom sections quilted with organic wavy lines and the central section with a decorative stitch (mode 2 #19 on my Elna 680) - this stitch is probably my favourite because it looks like clouds or waves and creates such a lovely texture.

It was quilted using Aurifil 40wt thread in Aluminium #2615 and a pretty variegated blue, Stone Washed Denim #3770.

I did decide to add facial features on the mermaid, as soon as I had done it I panicked and wasn't sure  it worked at all but now it's all quilted I am ok with it and she's smiling at least. I used a Sakura Pigma Micron pen, which is waterproof and fade resistant - great for quilt labels too.

It was quick to quilt and I thoroughly enjoyed it! The final effect is gentle and crinkly but doesn't overpower the blocks.

There are a lot of my favourite prints and fabric designers in the blocks, it feels good to use those special fabrics and see them in a finished quilt I am proud of. The unicorn prancing in a field of Denyse Schmidt blooms is pure happiness for me. This quilt is for my three year old niece and my sister helped me choose the prints, which is also special. It was unintentional but she's a Manchester City supporter and there is quite a lot of light blue in there!

For the backing I dug out this print that had been in my stash for quilt some time, the fabric is Oh Clementine by Allison Harris of Cluck Cluck Sew. It's so cute, with a soft blue background too. I liked it so much that I decided to use it for the binding as well. Also if feels AMAZING, like really lovely and soft but not thin or slippy. It's made by Windham Fabrics and I would like to try more fabrics from them, especially if it is the same substrate. 

Last year I chose a cross stitch pattern to work on throughout the year. This was started in January 2019 and finished in December 2019 (only just got round to properly blogging about it), 15605 crosses in total. Of course I worked on other things too during that time but it was lovely to have this project to pick up in between. It was serendipity because my word for 2019 was fortitude. Obviously it wasn't just the title of the pattern that drew me to it, it is full of beautiful Quaker motifs inspired by antique samplers. There is a delicacy to the unique design, a modern look to some of the geometric elements and some that remind me of quilts. The pattern is Kindness & Fortitude by Modern Folk Embroidery.

In a change from my usual style I went for a much more muted, calm palette of colours. I chose threads that were peachy/pink and then a variety of greens, mustard, browns and neutrals. It has a very natural vibe, which is what I wanted. Simple, pretty and serene.

Don't you love it when a plan comes together? Even better when you finish a project you have been meaning to work on for some time, when the initial plan you had changes and turns out better as a result. This version of my Crossed Orange Peel pattern was a challenge to myself, using slightly more difficult seam construction and it's my project for the April Aurifil Artisan challenge, which is to create a project using my favourite Aurifil thread. That is like a trick question though because I genuinely love and use all the different types of Aurifil thread for different projects. I've opted to focus on 50 weight thread because it is the one I use the most and for a variety of sewing methods.

The pattern is hand pieced and my original Crossed Orange Peel, see above, is different in that it has five pieces making up the central X of the blocks. I wanted to see if it was possible for me to piece that central section using one fabric. The Ladies Night print by Sarah Watts from the Black and White collection was absolutely perfect for this, by sheer coincidence five faces/dots fit beautifully in my pattern template.

I have a few works in progress and finishes to share with you today, so settle and get comfy as this might be a rambling one. There has been a lot of sewing happening and thought I would put (nearly) everything in one blog post to show what I've been up to - there are two more finishes that will feature in separate posts coming very soon!

First up is a finished quilt top - this is the Land of Magic quilt pattern by Kid Giddy The star, crown and castle blocks I pieced sometime ago. I had started the dragon but ran out of the background fabric and ordered more - then didn't get back to it. As this quilt was destined for my niece and she is now three, it seemed like a good idea to get it finished so she could appreciate and use it. 

Thankfully, although some of that background fabric was used in other projects I had more than enough to finish the block. The bright Amy Butler fabric works really well for the dragon and I love that it looks as though it has an eye due to the placement of the print.

Then I made the mermaid block, with the most perfect Carrie Bloomston fish fabric for the background. Many of the blocks contain precious fabric scraps I have hoarded, like the Pearl Bracelet print used for her top. This one contains some very small pieces, like the little crown and the waistband section but it's so worth it because that creates movement to make it appear as though she is gliding underwater. Kerry's patterns are clever like that.

Having already made my mum a similar bookmark, I decided to make one for myself. Given the current situation and the fact we are staying at home, it has made me focus on small things but also the bigger picture. I'm grateful for so much right now and have found it helpful to think about what I would like to achieve in this time. Not to 'hustle' or have unrealistic expectations of a million things I could do or learn or create. Rather what is important, can I prioritise the things I put off but really want to do. I'm still working full time but with kids evening activities on hold right now and no where to go at the weekends, I do have a more time.

The lettering is from the book Cross Stitch Designs by Ondori and I used Aurifloss to stitch on linen.