hand sewing
Showing posts with label hand sewing. Show all posts
Sunshine and Shadow: Manx log cabin coverlet
It would be nice to write about all the things I made this year before the end of the year is up!
One of the makes I'm most proud of, I finished in early autumn and it had been a while in the making. I started making this coverlet when Jenni Smith taught the Manx log cabin technique at Stitch Gathering in 2019.
This traditional technique involves measuring and ripping fabric strips by hand, folding and sewing the blocks by hand and sewing them together front and then back. I made all the blocks by hand, sewed the fronts together on the machine and then hand sewed the back of the blocks.
My previous posts detail the process and my decisions a little more. I used fabric, mostly scraps, from my stash for the blocks. The centre squares are metallic Essex linen. A lot of the backing fabrics were bought for this coverlet though because I wanted to use woven fabrics, there's some shot cotton and lots of gorgeous Robert Kaufman Fabrics - yarn dyed, herringbone and gingham.
I did think about doing a normal quilt binding, I wasn't sure I could be bothered with the traditional butted edge. I guess this is like a knife-edge but there's no sewing around the edges or trimming of wadding required like there is with a quilt, so technically I don't know what it's really called. Anyway, I did decide to finish it by hand the traditional way. I turned the edges under 1/4" and did a ladder stitch closure.
The whole thing is far from perfect and, to me, that's what makes it so absolutely wonderful. It's not about being precise, it's so personal and handmade.
I arranged the blocks in a traditional Sunshine and Shadow layout. There's no doubt that I will make another Manx log cabin at some point, next time with a different layout. I love this though. The pink, mint and navy are quite dramatic and give it a modern look.
Big thanks to my youngest for being such a good helper with these shots!
Here's the back. You can see how the light shine though the centres of the block, where there's just two layers of fabric.
A close up of the quilt label I made last year. I did try to make the 1 into a 2 but it didn't really work! That'll teach me for counting my chickens before the coverlet is hatched!
Pretty pictures of it draped on the tree, just because.
The texture is what makes this so different and special. It's still warm like a quilt but so light. It's tactile in such a lovely way and this is my favourite make to date.
It's funny that I'm writing this as I sit in the living room where I spent so much time with my Nan, given my last post. I'm currently visiting my Dad and since I can't go to sleep before around midnight, I thought I'd stay up and try to catch up on writing about things I've made this year. There's a few more posts I'm hoping to cram in before 2023, stay tuned!
quilt label X gold needles
An important part of the process is quilt labelling. Do you label your quilts?
Despite not yet having a finish, the idea for a label came to me and I jumped right in! There's no point in waiting to create, might as well stitch when the mood strikes. Here I show you my process for making this label, share some favourite tools and there's a chance to win a jar of Hemline Gold needles.
clam points and leaves ~ epp
I am excited to be writing about this make because it's such a fun and useful way to use English paper piecing shapes/blocks. I've made a new project bag and decorated it with epp. There are so many tips and tricks I can share with you; epp curves, light fabrics on dark backgrounds, neat applique top stitching and the awkwardness of metal bits on zips - oh I'm covering it all today!
shapely rope basket
This was a 2020 finish but am just getting round to sharing it now. My hand sewn basket was a learning experience and the result truly has that handmade, rustic look. You are either going to love it or pity me!
There are plenty of tutorials out there for machine sewn and hand sewn rope baskets. I've made many machine versions but really wanted to try sewing one by hand. It has a different look that I really like and honestly I will make one again but here's what I found...
The base is really fun to stitch, it creates such a beautiful effect and I was very happy with that. I used Aurifloss to stitch the basket, staring with a beige colour and then switching to neutral white/cream for the main part of the basket.
So far so good...
a bookmark with purpose
Having already made my mum a similar bookmark, I decided to make one for myself. Given the current situation and the fact we are staying at home, it has made me focus on small things but also the bigger picture. I'm grateful for so much right now and have found it helpful to think about what I would like to achieve in this time. Not to 'hustle' or have unrealistic expectations of a million things I could do or learn or create. Rather what is important, can I prioritise the things I put off but really want to do. I'm still working full time but with kids evening activities on hold right now and no where to go at the weekends, I do have a more time.
I set my word of the year 'clear' as a reminder to focus on what matters to me. The word is written in my planner, on my vision board and a bookmark seemed another good way to keep my intentions clear!
The lettering is from the book Cross Stitch Designs by Ondori and I used Aurifloss to stitch on linen.
traditional + modern epp curves
Isn't it always fun to start sewing a new pattern or project? When I found out we were working with Paper Pieces for this months Aurifil Artisan challenge, which is English Paper Piecing, I was super happy. They have a huge range of paper shapes and you could spend a day browsing their website looking at all the possibilities, thinking up patterns and imagining blocks. As soon as I found the Joseph's Coat pieces I knew I had found my project. I have never made this traditional block and I enjoy sewing curves, it's also a pretty design that becomes more interesting as it expands. I'm going to show you my layout and how I handle sewing epp curves.
For shapes like these you can't beat the accuracy of machine cut paper pieces and when shapes are curved I really do like to use acrylic templates for cutting. It makes the job so much quicker with a rotary cutter and of course it's super helpful if you want to do fussy cutting, as you can reposition the template and clearly see the area you are cutting.
carry around some quiet
This was part of my mum's Christmas present. I had this idea in my head, to combine some cross stitch and Kraft-tex to make a bookmark. This is really a very basic make but I'm pleased with how it turned out and hope it will wear well as she uses it. I know that Kraft-tex can actually feel better the more it's handled and it should still hold its shape, as it helpfully conceals the guts of the cross stitching.
╳ you need to calm down ╳
I do always like to try something different and have found myself more drawn to incorporating vintage fabrics and re-purposing fabrics. Partly so that I can create something completely unique and also to use what already exists. I happened to discover a unique find that worked perfectly for this months Aurifil Artisan challenge! I've created a cross stitch piece using vintage lettering and a second hand embroidered cloth... yet it still has a modern flair!
While I was at Stitched Up my eagle fabric spying eyes were drawn to a dainty and beautiful cloth. Amongst a variety of left-over bits and fabric scraps that were being used to create peace banners; there was this piece of white cloth with intricate detail, floral appliqué, embroidery and weaving. I believe it is a small table cover or tray cloth.
hugs not thugs 🞤 free template
Gathering together to sew in company is really quite special. It can be lonely and a bit boring sometimes sewing at home by yourself. While that quiet time is still vital for my sanity, recently I have been much more open to getting out and taking part in sewing groups. Partly because I have more time in the evening now, also my anxiety is manageable, it feels nice to be sociable and join in. Also real life is better.
Sewing ✖ Orange Peel
This is the stack of quilts I took to Leicestershire and Rutland Guild, where I was invited to give a talk and teach a workshop. It's always exciting and slightly nerve wracking for me to visit somewhere new. All the ladies that weekend were so welcoming and it was great to arrive on their Area Day at the end of last month. It began with everyone working on their own projects and there was a wonderful show and tell. I really enjoy seeing peoples creations and hearing stories of how it was made. Sadly I didn't take pictures but it was a lovely mix of quilts, bags and more. All quite different and all beautiful! Later I did manage to snap this gorgeous pincushion, I would like to try the technique used on the top here as it's so pretty (sorry the lady's name who made this escapes me, please leave a comment if you know or if it was you and I will add credit).
There was a delicious shared lunch and in the afternoon I gave a talk about my journey and experience as a quilter. I have had nice feedback, it was fun for me looking back over some early makes!
On the Sunday it was time to teach my Crossed Orange Peel pattern and it was so awesome to see everyone creating beautiful blocks sewn by hand. It's lovely to teach a class where people can sit and chat without noise from the machines, there's a certain calm that washes over as people hand stitch.
It's hard not to admire all the fab notions, storage and bits that everyone has with them, not to mention the fabric! I like seeing what things people find useful and the handmade items they use while sewing. this clever thumb pincushion is one, with the bonus of a bobbin of thread and a cutter!
There was never going to be a complete quilt in a day, though the progress was really impressive and all the blocks looked fabulous and very neat. Classic William Morris, Japanese woven fabric and an array of modern prints, they are all unique and wonderful.
You can really get a sense of how fabric placement can change the design. Fussy cuts work beautifully and using bright, dark or tonal shades can easily make different parts of the block stand out.
Imagine these blocks repeated, mixed with similar variations or contrasting joining blocks to make the quilt pattern. Beautiful!
If you'd like to make your own Crossed Orange Peel blocks or quilt, you can find the pattern - with a free hand piecing guide - HERE.
It was a scorching hot weekend (similar to the current heatwave) so thank you to everyone that attended! Thank you all for being so welcoming, I thoroughly enjoyed the whole weekend. Special thanks to Sarah for organising my visit and for being such fun company.
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